This is, along with Hawks' The Big Sleep, easily the most intelligent of all screen adaptations of Chandler's work. Altman in fact stays pretty close to the novel's basic narrative (though there are a couple of crucial changes), but where he comes up with something totally original is in his ironic updating of the story and characters: Gould's Marlowe is a laid-back, shambling slob who, despite his incessant claim that everything is 'OK with me,' actually harbours the same honourable ideals as C find out more...

One of the finest of the genre, this classic western follows two men whose initial contempt for each other's methods, one a hard man rancher, the other a naively honest lawyer, develops into respect when faced with the the town's local hoodlum. Tense, absorbing and not without wit. Superb. find out more...

Film Noir from the Ealing funny man! Mackendrick's US debut is a rat-trap of a movie in which a vile NY gossip hustler (Tony Curtis) grovels for his 'Mr Big' (Burt Lancaster). Lancaster plays JJ Hunsecker, a monstrous, amoral and incestuous news columnist obsessed with wrecking his kid sister's romance. The dark streets stink of corruption and fear. Amoral and awesome with a great jazz soundtrack. find out more...

In the rural hinterland of the Ozark Mountains, Missouri, 17-year-old Ree Dolly, in the absence of her crystal meth/crank manufacturing father, is the only effective parent for her two younger siblings and sole carer to her emotionally vacant mother. When Ree discovers dad has put their house up as bail and then disappeared she knows she must find him or the family will be turned out into a bitter wilderness in which they cannot hope to survive. Her close knit, secretive and, often, brutally har find out more...