A collective farm in disarray. A messianic agitator. And lots of mud & rain, all in Bela Tarr's trademark style: arty black & white cinematography, long slow takes, tracking shots & zooms. The style recalls Tarkovsky but the sensibility is completely different, relentlessly downbeat, squalid, cynical and bleakly, grimly comic. So you get a doctor drinking himself to death, a cat being tortured and a suicidal little girl taking rat poison, all depicted in slow real time takes. One find out more...