A respectable, sincere film of Robert Bolt's literate play, with Scofield as Sir Thomas More, endorsing the divine right of the Pope over and above his King, Henry VIII, who wishes to divorce Katherine Of Aragon and marry Anne Boleyn. Watch out for Orson Welles in a marvellous cameo as Cardinal Wolsey. The film won 6 Oscars.
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RICHARD III (OLIVIER) (1955)
CertificationU Our Rating
Richard's military skills have helped to put his older brother Edward on the throne of England, but jealousy and resentment cause Richard to seek the crown for himself, and he conceives a lengthy and carefully calculated plan using deception, manipulation, and outright murder to achieve his goal. His plotting soon has tumultuous consequences, both for himself and for England.
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THE NAME OF THE ROSE (1986)
Certification18 Our Rating
From the best selling book by Umberto Eco comes this brilliant film adaptation. Father William of Baskerville arrives at a monastary to participate in a theological dispute. However murder and intrigue are afoot. William finds himself once again at odds with the Inquisition. Mediaeval whodunit!
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THE SPY WHO CAME IN FROM THE COLD (1965)
CertificationPG Our Rating
Spying is a sleazy game in this first adaptation of a John Le Carre novel. Burton, here at his very best, is sent over as a double agent in order to give information to discredit an East German spy boss, but all is not as it seems and dirty sacrifices are being made to further British aims.
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WHO'S AFRAID OF VIRGINIA WOOLF? (1966)
Certification15 Our Rating
Burton and Taylor in a screen version of the kind of love-hate relationship which they were famous for in private, a kind of on-screen therapy. Taylor gives what is probably her finest performance as the blowsy harridan Martha, while Burton is not quite so hammy as usual as her angst-ridden college professor husband. The verbal fireworks that occur when they invite a young couple to dinner are surprisingly convincing. A must see classic.
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