Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

The trials and tribulations of small town Texas football players, their friends, family, and coaching staff.
DISC 5: I THINK WE SHOULD HAVE SEX, EXTENDED FAMILIES, CH-CH-CH-CH-CHANGES.

find out more...

Taking its cue from Chronicle (2012), Project Almanac is part of the "found footage" sci-fi phenomenon sweeping contemporary teen cinema. A group of friends discover time travel and use it to have a lot of fun; rewriting their entry into the high school popularity charts, partying without wasting time, acing tests and getting even with bullies. But, as science would have it, every action has its equal and opposite reaction. Soon the 'jumps' become a desperate attempt to rewrite the rewrite. G find out more...

Jonathan Cross is the latest superstar of the violent sport of Rollerball, but though he glories in the fame and fortune he quickly discovers that the game has become corrupt and sets out to stop those responsible before he suffers a terminal 'sporting' accident. Good god this is crap, even if you ignore the vastly superior film that this takes its name from, Rollerball (the remake) is utterly without merit, a terrible script, awful acting, cheap sets, cheesy stunts and lobotomised direction.... find out more...

A future where the key sport's central feature is violence and the star a little too independently minded. A sci-fi film which can't quite make up it's mind whether to go for serious satire or mindless violence and ends up being the kind of violent escapism it seems to dislike. find out more...