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ALIENS (1986)

Certification18 Our Rating

The long-awaited special extended version of the brilliant sequel to the sci-fi classic "Alien". Containing seventeen minutes of extra footage showing the previously unexplained background of the terrifying planet where the Alien has bred and which Officer Ellen Ripley must now return to. find out more...

Certification15 Our Rating

THE sixties movie. Jane Fonda lands on a surreal planet, discovers sex the old fashioned way and battles against the evil Matmos. Great style, a wonderful film and the one Duran Duran, the pop group, stole their name from. find out more...

Certification15 Our Rating

A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the second version re-edited by Ridley Scott; all the good bits remain, with the onl find out more...
BRAZIL (1985)

Certification15 Our Rating

A work of genius. A sort of 1984 gone haywire about a humble clerk and his efforts to find the girl of his dreams. The backgrounds and the details are all superb in one of the most immaginative films ever released, although the studio that put up the money wanted a happier ending. A Must see! find out more...

Certification15 Our Rating

Dark and brooding sci-fi treat from the director of "The Crow". In a city controlled by "The Strangers" - a colony of spooky bald aliens - everything stops at midnight. The citizens' memories are reprogrammed, and their surroundings altered, with everyone waking up in a state of dazed confusion. Everyone that is, except John Murdoch, (Rufus Sewell) who is somehow immune to the induced collective trance, and who knows that the murder rap he is suddenly, supposedly, facing is a nonsense. Sinister find out more...

Certification15 Our Rating

Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...


Certification12 Our Rating

Taking its cue from Chronicle (2012), Project Almanac is part of the "found footage" sci-fi phenomenon sweeping contemporary teen cinema. A group of friends discover time travel and use it to have a lot of fun; rewriting their entry into the high school popularity charts, partying without wasting time, acing tests and getting even with bullies. But, as science would have it, every action has its equal and opposite reaction. Soon the 'jumps' become a desperate attempt to rewrite the rewrite. G find out more...

SHIVERS (1974)

Certification18 Our Rating

A doctor discovers that a savage new disease is making the residents of a luxury apartment block randomly violent and deviantly sexual. He also has to race to save himself and the city in this excellent vintage Cronenberg film. find out more...

Certification18 Our Rating

Superficially about a germ warfare virus that escapes turning the locals into crazed killers, but this film has much more to offer. It asks many questions about the nature of 'normality' and pinpoints the madness that is the American system of gun laws. Good dialogue and performances also. find out more...

Certification15 Our Rating

Charlton Heston is the only (normal) survivor of an apocalyptic plague that has destroyed mankind. A band of mutants calling themselves the 'Family' believe science and technology to be the cause of the plague. Neville (Heston), as the last symbol of the old world of science, is seen as a threat to the new order. For the mutants, the only way to insure their domination of the planet is to rid themselves of their distructive ancestor. Superb! find out more...