Tense and engaging account of contemporary Parisian street life. The recriminations against the notorious police for an injured friend are realised by a documentary style of film making with voyeuristic undertones. Violently realistic and bitter drama. Excellent soundtrack. find out more...

Gus Van Sant's latest masterpiece is very much in a similar vein to his previous two films (Elephant and Gerry). Meditative, ambivalent and beautifully shot, Last Days is a loose retelling of the Kurt Cobain suicide. The dialogue is made up of mumbled non sequiturs and directionless enquiries. The cinematography, as in Elephant, is a mixture of pristine framing, expert use of natural light and patient static observation. Though the pace of the movie is arguably too testing for some viewers, the find out more...

In this follow-up to his critical success Read My Lips, Jacques Audiard has adapted and updated James Toback's cult 1978 noir Fingers to come up with this memorable character study about a young man torn between a life of crime and classical music. Romain Duris, in a standout performance, portrays the 28-year-old Tom who seems destined to follow in his amoral father's footsteps as a Parisian property shark taking work in a sleazy and sometimes brutal milieu. However, a chance encounter with h find out more...

The first part of Kieslowski's acclaimed allegorical delve into the French psyche. Binoche plays a woman with a tortured soul, her husband and daughter having died in a tragic car accident. Beautifully directed, with an incredibly lyrical and melancholy feel, Binoche's performance is outstanding. find out more...