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[ Film Noir ]
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Dave T's Platinum Picks
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Film Noir
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Guardian 1000 Must See (2007)
Nothing more can be said about this classic melodrama from the peak of the Hollywood studio-film era. Hardened cynic Bogart softens when he meets old flame Bergman who is now a refugee in neutral wartime Casablanca. Together they outwit the Germans... and of course there's that famous song. Watch this classic or some day you'll regret it. Maybe not today, maybe not tomorrow...
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CHINATOWN (1974)
Certification18 Our Rating
Polanski has a go at the film noir detective thriller, very bleak, very twisted and very menacing it is to. Nicholson plays a private-eye in pre-war LA who is hired to pursue an adultery case, but finds himself embroiled in a complicated murder investigation.
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NIKITA (1990)
Certification18 Our Rating
Nikita is a junkie who murders a cop during a robbery and is caught. Faced with the option of a death sentence or life as a secret-service hitwoman, she becomes a ruthless killer executing without remorse or feeling, until she falls in love, that is. A stylish, dynamite and brilliant film.
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PEPE LE MOKO (1936)
CertificationPG Our Rating
The notorious Pepe Le Moko is a wanted man, women long for him, rivals hope to destroy him, and the law is breathing down his neck at every turn. On the lam in Algiers' labyrinthine Casbah, Pepe is safe from the clutches of the police until a Parisian playgirl compels him to risk his life and leave its confines once and for all. Julien Duvivier's 'Pepe Le Moko' is one of the most influential films of the 20th Century and a landmark of French poetic realism, sinuous camerawork, dingy sets, deep s
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RIFIFI (1955)
Certification12 Our Rating
Four men set in motion a heist of incredible audacity, a robbery where the level of risk is only matched by the protagonists' meticulous precision, but though the thieves are consummate professionals once the job is done their emotions and animosities begin to threaten the rewards of their hard work. Rififi is renowned for its tense half hour long heist scene in which not a word is ever uttered, and acknowledged as one of the classic examples of French film noir.
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SUNSET BOULEVARD (1950)
CertificationPG Our Rating
All time classic wonderfully filmed by Wilder, featuring great performances from Holden, as a bankrupt screenwriter seeking refuge, and Swanson, a faded star in a crumbling mansion, who pins her hopeless hopes of a comeback on the writer. Deliriously dark and nightmarish masterpiece.
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THE BIG SLEEP (1946)
CertificationPG Our Rating
The original and best version of the detective thriller classic. Philip Marlowe is hired to investigate the gambling debts of a rich man's daughter, but is plunged into a twilight world of intrigue, blackmail and violence. Stylish and gripping.
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THE CONVERSATION (1974)
Certification15 Our Rating
Tense mystery thriller with Gene Hackman as an ace surveillance expert who begins to question the morality of his own work. Listening in on a young couple during an apparently routine job, he realises he's involved in something far more sinister than he thought. Gripping and thought provoking.
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THE LONG GOODBYE (1973)
Certification18 Our Rating
This is, along with Hawks' The Big Sleep, easily the most intelligent of all screen adaptations of Chandler's work. Altman in fact stays pretty close to the novel's basic narrative (though there are a couple of crucial changes), but where he comes up with something totally original is in his ironic updating of the story and characters: Gould's Marlowe is a laid-back, shambling slob who, despite his incessant claim that everything is 'OK with me,' actually harbours the same honourable ideals as C
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THE MALTESE FALCON (1941)
CertificationPG Our Rating
Treachery and deception in this classic film noir as various groups of low life characters try to lay their mits on the ancient treasure. Sam Spade is the honest fall guy. One of the best Hollywood films ever and certainly one of the best of its type. Initiated the move away from gangster movies.
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