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CertificationU Our Rating

Taking man's inhumanity to man as its central theme, 'Au Hasard Balthazar' traces the life of a donkey, christened Balthazar by a group of young children, from birth to death. Balthazar's story begins on a small farm in a rural district of France. Throughout his life he is owned by many of the locals, returning to some of them more than once, and is set various tasks, from drawing a carriage to performing in a circus, turning a grindstone to acting as a smuggler's means of transport. Some owners find out more...
HARVEY (1950)

CertificationU Our Rating

Elwood's sanity is brought into question when he starts seeng a six-foot rabbit. His family however are more concerned with the effect it is having on their social standing, and make moves to have him committed. A brilliant farce and deservedly famous film. Puts the C in classic. Charming. find out more...

CertificationPG Our Rating

Lucille (Andrea Burchill) and Ruth (Sara Walker) come to live with their off-the-wall Aunt Sylvie (Christine Lahti) after their mother kills herself. From sleeping on park benches to methodically stacking tin cans into pyramids, Sylvie's quirks are at first hard to get used to. While Ruth eventually grows fond of the woman's irrepressible spirit, Lucille starts to resent her aunt's behaviour -- especially find out more...

MARTY (1955)

CertificationU Our Rating

Marty is a 34-year-old butcher whose Italian family is constantly after him to get married. He meets plain-looking schoolteacher Clara. They are both lonely, unglamorous people who have resigned themselves to their unloved lives. But they manage, in time, to grope their way to love. Feel good cinema at its best and most believable. find out more...
PARK ROW (1952)

CertificationPG Our Rating

In 1880s New York City, newspapers were engaged in a free-for-all competition, with the respectable practitioners such as Joseph Pulitzer leading a horde of sheets that included every kind of yellow rag imaginable. Newspaperman Phineas Mitchell (Gene Evans) is so appalled by the brand of journalism practiced by The Star, the newspaper where he works, and its publisher, Charity Hackett (Mary Welch), that he gets himself fired. But instead of looking for another job, he decides to start up his find out more...