Goodnight And Good Luck takes place during the early days of broadcast journalism in 1950s America, chronicling the real-life conflict between television newsman Edward R Murrow and Senator Joseph McCarthy, head of the House Un-American Activities Committee. Murrow, his news team and, indeed, CBS itself made a defiant and impassioned stand against McCarthy's increasingly delusional, corrupt and fear-fueled rants and this, George Clooney's second turn in the director's chair, is a beautifully suc find out more...

Essentially an interacial love story betwixt two journalists set against the backdrop of The Truth and Reconciliation Commission in post-apartheid South Africa. There's enough dirt about police murders and torture in the apartheid state to keep whites squirming uncomfortably and enough healing and forgiveness to leave you feeling that race problems dissipate with a bit of a hug. Nevertheless Boorman is a skilled film maker and he manages the finer aspects of this well scripted movie without teet find out more...

Starting with the murder in an Afghan prison of an innocent taxi-driver by American soldiers, this brilliant documentary outlines the lines of command from Cheney and Rumsfeld down to those on the front line. We learn about the techniques of torture and who authorised which methods. We hear about some of the history of CIA torture methods, the irrelevance of torture to extracting information and its use as a weapon of terror and political posturing by those in power in Washington. find out more...

As the world watched in horror, Hurricane Katrina hit New Orleans on August 29, 2005. Director Spike Lee, shocked not only by the scale of the disaster, but by the slow, inept and disorganized response of the emergency and recovery effort, was moved to document this modern American tragedy. This is largely talking heads stuff with survivors, inhabitants, politicos and media types telling their stories. The film is structured in four acts, each dealing with a different aspect of the events that p find out more...

As the world watched in horror, Hurricane Katrina hit New Orleans on August 29, 2005. Director Spike Lee, shocked not only by the scale of the disaster, but by the slow, inept and disorganized response of the emergency and recovery effort, was moved to document this modern American tragedy. This is largely talking heads stuff with survivors, inhabitants, politicos and media types telling their stories. The film is structured in four acts, each dealing with a different aspect of the events that p find out more...

As the world watched in horror, Hurricane Katrina hit New Orleans on August 29, 2005. Director Spike Lee, shocked not only by the scale of the disaster, but by the slow, inept and disorganized response of the emergency and recovery effort, was moved to document this modern American tragedy. This is largely talking heads stuff with survivors, inhabitants, politicos and media types telling their stories. find out more...