The 1980s; an innocent young South African is arrested and, along with his family, tortured. Angered by these events he becomes what he was falsely accused of, an ANC terrorist/freedom fighter. Based on a true story, Catch A Fire is a searing, adrenalin-drenched, dramatic thriller. find out more...

Employed by the apartheid South African government as prison warden to Nelson Mandela, James Gregory would seem like the ideal man for the job, white, deeply racist and yet fluent in Mandela's native tongue, the authorities seem to have found the perfect spy. What those in power failed to grasp were a man's ability to change and the irresistible personality of Mandela himself. Based on James Gregory's memoirs, 'Goodbye Bafana' is a moving dramatisation of an unlikely friendship. find out more...

Essentially an interacial love story betwixt two journalists set against the backdrop of The Truth and Reconciliation Commission in post-apartheid South Africa. There's enough dirt about police murders and torture in the apartheid state to keep whites squirming uncomfortably and enough healing and forgiveness to leave you feeling that race problems dissipate with a bit of a hug. Nevertheless Boorman is a skilled film maker and he manages the finer aspects of this well scripted movie without teet find out more...

Spike Lee's mainstream take on the ex-petty crook turned Islamic preacher and leading 60s Civil Rights spokesman Malcolm X. Washington's performance is riveting in this epic. find out more...

A little known passage of British history - the fate of the black men who volunteered for the King's Men in the American War of Independence. At least the Empire didn't abandon them to the slaver George Washington and his thugs, instead dumping them on the desolate Novia Scotia coastline. But where there's life there's hope and enter the radical Thomas Clarkson's brother, a young naval officer named John, who, energised by their living conditions, collected the remnants and shipped them to Freet find out more...

As the world watched in horror, Hurricane Katrina hit New Orleans on August 29, 2005. Director Spike Lee, shocked not only by the scale of the disaster, but by the slow, inept and disorganized response of the emergency and recovery effort, was moved to document this modern American tragedy. This is largely talking heads stuff with survivors, inhabitants, politicos and media types telling their stories. The film is structured in four acts, each dealing with a different aspect of the events that p find out more...

As the world watched in horror, Hurricane Katrina hit New Orleans on August 29, 2005. Director Spike Lee, shocked not only by the scale of the disaster, but by the slow, inept and disorganized response of the emergency and recovery effort, was moved to document this modern American tragedy. This is largely talking heads stuff with survivors, inhabitants, politicos and media types telling their stories. The film is structured in four acts, each dealing with a different aspect of the events that p find out more...

As the world watched in horror, Hurricane Katrina hit New Orleans on August 29, 2005. Director Spike Lee, shocked not only by the scale of the disaster, but by the slow, inept and disorganized response of the emergency and recovery effort, was moved to document this modern American tragedy. This is largely talking heads stuff with survivors, inhabitants, politicos and media types telling their stories. find out more...