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Horror
Certification18
Our Rating
The few remaining residents of a Canadian sorority house are celebrating the onset of Christmas vacation, but a stalk'n'slash freak is on the loose and one by one the residents get suffocated, chopped etc. Will any of them survive? Director Bob Clark's tense, effective film is a precursor, in effect the template, to the 'stalk'n'slash' films, Friday 13th, Halloween et al, that would come a half decade later.
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Certification12
Our Rating
Certification15
Our Rating
Dr Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr Pretorius, kidnaps his wife, Dr Frankenstein agrees to help him create a new creature, a woman, to be the companion of the monster. What distinguishes the film is less its horror content, which is admittedly low, than the macabre humour and sense of parody. Strong on atmosphere, Gothic sets and expressionist c
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Certification15
Our Rating
Certification12
Our Rating
CertificationPG
Our Rating
A scientific expedition sniffing around in the Amazon awaken the interest of a man in a rubber suit, who proceeds to stalk, kill and kidnap (he's infatuated with the pretty female on board) expedition members.
'Creature From the Black Lagoon' endures as a classic icon from 50s B-movie sci-fi/horror flicks. Every decent DVD library should have this even if it never rents.
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CertificationPG
Our Rating
CertificationPG
Our Rating
This classic piece of early silent cinema is noted not merely for its dramatic camerawork and cast of thousands but also for its contribution as a cinematic template, particularly in the genre of horror. Set in 16th Century Prague, a monstrous creature of Jewish myth is unleashed by a Rabbi to save his people from anti-Semitic legislation; unfortunately for all concerned The Golem's taste for destruction is not sated by the demands of his master, and so begins an unstoppable rampage.
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Certification15
Our Rating
CertificationPG
Our Rating
A double helping of transmogrification with two classic versions of Robert Louis Stevenson's tale of science run amok, in which an ambitious doctor's experiments on himself turn him into a raving homicidal beast. The 1932 expressionistic spine-tingler, which influenced generations of creature-features, with a more obvious Freudian interpretation of the doctor's schizophrenia is the better of the two. The 1941 star-studded epic helmed by the legendary Victor Fleming (‘Gone with the Wind' and ‘The
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