Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...
Elmer Gantry is a man on a mission, a mission from God, but behind the raging sermons of fire and brimstone there lurks a man whose conscience has long ago deserted him. A hustler par excellence Elmer has no qualms about what he takes and who he may hurt, but when an old flame re-enters his life the carefully constructed world he has created starts to dramatically fall apart. Elmer Gantry is a powerhouse performance from Burt Lancaster who deservedly won an Oscar in a role of awesome intensit find out more...
Huge epic, set during the heyday of Republican Rome, in all its ostentatious glory. The story details the purchase and selection of slaves, the harsh discipline and routine of the gladiators' school, the new comradeship balked by the realisation that a gladiator must kill or be killed. Then the film really comes into its own with the superbly staged revolt and escape, led by the slave who, with his unlikely army, holds the Roman army at bay for four years. Magnificent, masterful....a classic! find out more...
Apocalyptic look at mankind's self-destructive descent back to savagery. The Antichrist is reborn in 20th Century Italy and immediately prophecies are fulilled, enemies vanquished and the dark forces re-awakened. Superior horror, tense and unforgiving, with some classic mayhem scenes!
find out more...Set against the background of the English Civil War, this tale of the violent persecution of alleged witches by the eponymous central character is a masterpiece of 60's British cinema. Excellent performances, (especially Vincent Price's), complement evocative use of scenery. One point of interest is the changes in film stock, which makes the film appear redder at the end than at the beginning, a deliberate ploy on behalf of the director who uses the deepening crimson to symbolise the story's find out more...