David Lean's epic romance set against the turbulant backdrop of the Russian revolution. One man's struggle for moral political and personal survival amidst the complex web of intrigue and tangled loyalties that accompanied the fall of the Tsar.
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HENRY THE FIFTH (OLIVIER) (1944)
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This is the Shakespearean opus containing many a familiar line, "Once more into the breach dear friends..." amongst them, and spoken by an absolutely outstanding cast. A must to watch, even if it's not on your school syllabus!
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IN WHICH WE SERVE (1942)
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This story of a ship, the British destroyer HMS Torrin, and memories of the folks back home, are told in flash backs by survivors as they cling to a life raft. The epitome of stiff upper lip, as Coward's captain graciously condescends to his forelock-touching crew like an indulgent auntie, serves chiefly as a reminder of the structures of snobbery and privilege in the services which were partially responsible for Labour's postwar election victory.
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THE BRIDGE ON THE RIVER KWAI (1957)
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Guinness restores the morale of British PoWs by building a bridge which is of military value to the Japanese, and then attempts to thwart the RAF's destruction of it! A classic film which swept 7 Oscars including "Best Picture".
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THE CRUEL SEA (1952)
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Jack Hawkins gives perhaps his best performance as captain of a British corvette during the Second World War. Inexperienced young men face two enemies, the Atlantic and the U-boats, but the more deadly one is "The Cruel Sea". Adapted from Nicholas Montsarrat's novel and shot in a semi-documentary style.
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THE DAMBUSTERS (1955)
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Lots of stiff upper lip and Brit grit in this heroic true story of how Lancaster bombers, carrying Dr Barnes Wallis's Bouncing Bomb, destroyed the dams on the Rhur, damaging German industrial production and the Nazi war effort.
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THE LIFE AND DEATH OF COLONEL BLIMP (1943)
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Based on David Low's cartoon character, Major General Clive Wynne-Candy, VC, we back-track over his life, drawing us into sympathy with the prime virtues of honour and chivalry which have transformed him from dashing young spark of the 1890s into crusty old buffer of World War II. Roger Livesey gives us not just a great performance, but a man's whole life, losing his only love (Deborah Kerr) to the German officer (Walbrook) with whom he fought a duel in pre-WWI Berlin, then becoming the latter's
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ZULU (1963)
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The good old English upper-lip is presented as a small band of squaddies face insurmountable odds against thousands of screaming darkies in a further attempt to paint the world map red. Seen "Custer's Last Stand" Mr Botha? Now try this for size.
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