Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...
A young man is left for dead when a patrol officer happens upon him. Rushing to the nearby hospital things take a turn for the worse as every sub-genre of horror collides in this monster/slasher/detective/supernatural/cult-style schlock fest. The tension is good but it looses its bite when the twist turns out to be almost everything you can think of. More throw it at the w find out more...