In 1998 Marco Pantani, the most flamboyant and popular cyclist of his era, won both the Tour de France and Giro d'Italia, a titanic feat of physical and mental endurance that no rider has repeated since. He was a hero to millions, the saviour of professional cycling following the doping scandals which threatened to destroy the sport. However, less than six years later, aged just 34, he died alone, in a cheap Italian hotel room.

This film is not just about cycling but an emotional expl find out more...

During the making of "Soundtrack to War" director Gittoes asks soldier Elliot Lovett how it feels to be in Iraq getting shot at, Elliot replies "man, I get shot at less here in Baghdad than at home in Miami". Amazed and intrigued by the statement Gittoes heads to Brownsville Miami to find out what is so bad about ‘Brown Sub'. What Gittoes finds stands testament to an America at odds with its own lofty values, a world few want to acknowledge and none want to experience first hand. find out more...

This aggressive and visually stunning dance modernizes moves indigenous to African tribal rituals. Tommy Johnson first created the style as a response to the 1992 Rodney King riots and named it Clowning, a form that was later developed into the movement known as Krumping. Used as a dance alternative to gangs and hustling, troupes paint their faces like warriors and meet to outperform rival gangs of dancers or just to hone their skills. A powerful, hypnotic documentary, and nice to see krumping o find out more...

A little known passage of British history - the fate of the black men who volunteered for the King's Men in the American War of Independence. At least the Empire didn't abandon them to the slaver George Washington and his thugs, instead dumping them on the desolate Novia Scotia coastline. But where there's life there's hope and enter the radical Thomas Clarkson's brother, a young naval officer named John, who, energised by their living conditions, collected the remnants and shipped them to Freet find out more...

Style Wars is the cult documentary of hip hop and by extension graffiti art that was sweeping America by the 1980's. More a revelation on the graffiti than it is the music this film is a fascinating insight into these early pioneers and the rabid opposition from those in authority (it was also something of a revelation that most of the lads look like they've just stepped off the set of Napoleon Dynamite, but hell…every look has it's moment of ‘cool'). find out more...

Produced by Spike Lee, CSA is a wickedly clever 'mockumentary' that attempts to show what life in America may have been like if the South had won the civil war. The film is peppered with fake adverts, together with some that are rooted in reality and manages to be satirically humorous as well as genuinely thought provoking. find out more...

This a mockumentary about a young filmmaker's search for information about the Watermelon Woman, an undocumented 1930s black film actress forever cast as a 'black mammy'. Set in Pennsylvania, the tale follows director/video store clerk Cheryl through arguments with her co-producer, make out sessions with her new flame, as well as run-ins with staff at the Center for Lesbian Information and Technology (CLIT). A moving film about race and sexuality that gives a large nod to the lesbian filmmakers find out more...

As the world watched in horror, Hurricane Katrina hit New Orleans on August 29, 2005. Director Spike Lee, shocked not only by the scale of the disaster, but by the slow, inept and disorganized response of the emergency and recovery effort, was moved to document this modern American tragedy. This is largely talking heads stuff with survivors, inhabitants, politicos and media types telling their stories. The film is structured in four acts, each dealing with a different aspect of the events that p find out more...

As the world watched in horror, Hurricane Katrina hit New Orleans on August 29, 2005. Director Spike Lee, shocked not only by the scale of the disaster, but by the slow, inept and disorganized response of the emergency and recovery effort, was moved to document this modern American tragedy. This is largely talking heads stuff with survivors, inhabitants, politicos and media types telling their stories. The film is structured in four acts, each dealing with a different aspect of the events that p find out more...

As the world watched in horror, Hurricane Katrina hit New Orleans on August 29, 2005. Director Spike Lee, shocked not only by the scale of the disaster, but by the slow, inept and disorganized response of the emergency and recovery effort, was moved to document this modern American tragedy. This is largely talking heads stuff with survivors, inhabitants, politicos and media types telling their stories. find out more...