Ep 4, A Handful of People in the Depths of Silence; Franz goes on a bender and, later, bumps into Meck, who's moved on from hawking porn to selling clothes and seems to be doing well for himself. Meck also admits to having been living with Lina. find out more...

Ep 10, Loneliness Tears Cracks of Madness Even in Walls; Mieze can't have children, but Eva tells her that she'll have a child by Franz for Mieze to raise. Frank gets freaked by the idea, thinking Mieze's trying to dump him on to Eva, and then a rich client turns up to take Mieze away for 3 days. find out more...

Saved from a group of drifters by Kim Byung-moon uncouth and self-taught painter Jang Seung-up offers a drawing as a means of thanks. Examining the picture, Kim realises Jang's extraordinary potential and becomes his mentor, encouraging him to pursue the life of an artist. find out more...

An intimate portrait of working-class life in early 20th Century Malmo; Maria is the working class mother of seven, married to a violent, drunken, abusive husband with a bullying nature. By chance she discovers that she has a talent for photography, an ability to see things in a way that others cannot, and it is the confidence that this gives her which enables her not so much to liberate herself, but to learn to live within the rules of the social milieu into which she was born. Powerful stuff, find out more...

find out more...

It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...