Part 1 of Wajda's trilogy of wartime films, the hopeful one, is set in Wola, a working-class area of Warsaw in 1942, and deals with the graduation of a bunch of semi-delinquent street kids, through individual acts of defiance and courage, into a youth resistance group. The heroism is not simple, neither loyalties nor self-sacrifice are assured, but united they will be.
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KANAL (1956)
Certification12 Our Rating
Part 2, and surely the greatest, of Wajda's trilogy describes the last days of the failed 1944 Warsaw uprising against the Nazis. The imagery of the sewers, to which the Polish fighters retreat, is superbly used to represent both their desperation and their new Soviet prison. Made in 1956 despite Stalinist censorship.
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ROME OPEN CITY (1945)
CertificationPG Our Rating
Rossellini's masterpiece of neo-realist cinema. Based on the life of a priest who serves in the Resistance movement, it's triumph is to show the Resistance against a backdrop of everyday wartime life in Rome. The realism is enhanced by the camerawork and locations. A truly remarkable film.
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