A visually striking and powerful exploration of the "Oedipus" myth so loved by Freud, which draws on the director's own experience and the timeless themes of mythology. In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destine
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OF MICE AND MEN (1939)
CertificationU Our Rating
Set in 1930s California, this adaptation of Steinbeck's novel ‘Of Mice and Men' paints a bold, vivid picture of life in the depression era and tells the tragic tale of George and Lenny two itinerant farm hands searching for a safe haven from the cruelties of the world.
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RED ANGEL (1966)
Certification15 Our Rating
Set in the Sino-Japanese war, Yasuzo Masumura's black-and-white anti-war film tells of an army nurse who sexually services an amputee and falls in love with a drug-addicted surgeon. This can't be recommended to the squeamish, but neither can its nuanced eroticism nor its passionate, unpredictable moral focus, be easily shaken off. Comparable with Altman's MASH, it suggests a less comic treatment of the same theme, how to preserve one's humanity in impossible circumstances, but its ethics are con
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SUDDENLY, LAST SUMMER (1959)
Certification15 Our Rating
Based on a Tennessee Williams play and touching on all manner of depraved horrors. Taylor plays the girl driven to madness by what she's witnessed and Clift is the shrink being pressured to lobotomise her, but Hepburn steals the show as the unnervingly genteel aunt trying to sweep everything under the carpet.
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THE GLENN MILLER STORY (1953)
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It's all sweetness and light in this moving music biopic classic of Glen Miller's impressive rise to fame with June Allyson playing his childhood sweetheart and James Stewart outstanding as the man himself. It's got all the great arrangements from 'Pensylvania 6-500' to 'Moonlight Serenade', all scored by Henry Mancini in homage to Miller's style, plus Louis Armstrong makes an appearance playing 'Basin Street Blues' and Frances Langford does 'Chattanooga Choo-Choo'.
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THE GRAPES OF WRATH (1940)
CertificationPG Our Rating
Made almost contemporaneously with the 1930s setting, this authentically portrays the poverty and repression of the migrant 'Okies', evicted from their dustbowl farms and treated like slaves in California. Adapted from Steinbeck's book, often called 'THE Great American Novel' and with outstanding performances coming from Henry Fonda (Tom Joad) and John Carradine (John Casey) a preacher with a fondess for vice, but a true heart... fantastic.
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THE INN OF THE SIXTH HAPPINESS (1959)
CertificationPG Our Rating
The true story of an English housemaid who changed lifestyle and became a missionary in the politically turbulent China of the 1930s. Beautifully shot with that famous heart rendering finale as Ingrid Bergman brings the orphans on their own long march through the war torn mountains.
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THE LIFE AND DEATH OF COLONEL BLIMP (1943)
CertificationPG Our Rating
Based on David Low's cartoon character, Major General Clive Wynne-Candy, VC, we back-track over his life, drawing us into sympathy with the prime virtues of honour and chivalry which have transformed him from dashing young spark of the 1890s into crusty old buffer of World War II. Roger Livesey gives us not just a great performance, but a man's whole life, losing his only love (Deborah Kerr) to the German officer (Walbrook) with whom he fought a duel in pre-WWI Berlin, then becoming the latter's
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THE POSTMAN ALWAYS RINGS TWICE (1946)
CertificationPG Our Rating
One of the all-time classic film noirs. Sultry Lana Turner is hypnotic as the bored, beautiful wife whose dreary life takes a dramatic turn when enigmatic drifter Frank walks into the diner she runs. Only her good-natured husband stands in the way of the pair's deadly passion. Superb stuff.
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THE SOUTHERNER (1945)
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The master of cinematic naturalism goes to America! Jean Renoir's tale of a family hitting hard times in the dustbowl of the US is beautifully realised. Zachary Scott plays a sharecropper who decides that, if his family is to survive the depression, he needs to go it alone. Buying his own land and tools he sets to work, but is soon faced with the obstinate fact that nature is at best indifferent, at worst devastatingly cruel. Crisis follows catastrophe as, with a proud ethic that is constantly u
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