The story of a director, devoid of inspiration and on the verge of a nervous breakdown, trying to satisfy the anticipation surrounding his next project. Surreal, serio-comic mildly autobiographical and widely acclaimed as one of the great films about movie-making. Fellini's masterpiece.
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LE MEPRIS (1963)
Certification15 Our Rating
An aspiring playwright allows his artistic integrity to crumble and quickly sees his marriage go the same way. Fritz Lang plays the earnest film director at war with a producer who has more money than taste. Brigitte Bardot is magnetic as the contemptuous wife whose respect for Piccoli withers as he's seduced by Palance's financial clout. Tres chic.
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PEEPING TOM (1959)
Certification18 Our Rating
Critically maligned on its release, this tale of a twisted lens-man who lures unsuspecting female victims to their grisly death is an interesting study in the voyeuristic implications of cinema. The killer is an eternal victim whose crimes are cries of rage against his father and stepmother and, at the same time, pathetic rehearsals for his own inevitable death. A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour.
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SINGIN' IN THE RAIN (1952)
CertificationPG Our Rating
Just simply the best musical ever made. Witty, inventive, brilliant, wonderful and slightly surreal; it manages to parody Hollywood without ever quite descending into self-parody, always retaining its dignity (always dignity...) A must-watch every few years or so.
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SUNSET BOULEVARD (1950)
CertificationPG Our Rating
All time classic wonderfully filmed by Wilder, featuring great performances from Holden, as a bankrupt screenwriter seeking refuge, and Swanson, a faded star in a crumbling mansion, who pins her hopeless hopes of a comeback on the writer. Deliriously dark and nightmarish masterpiece.
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