Critically maligned on its release, this tale of a twisted lens-man who lures unsuspecting female victims to their grisly death is an interesting study in the voyeuristic implications of cinema. The killer is an eternal victim whose crimes are cries of rage against his father and stepmother and, at the same time, pathetic rehearsals for his own inevitable death. A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour.
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SHORTBUS (2006)
Certification18 Our Rating
If you thought Hedwig and the Angry Inch was a film unlike any other you'd seen before, get ready for Shortbus: a frank and fun film about the sex lives of humans, ostensibly set in New York, but relevant to every one of us. The plot plays a supporting role in what is, in many ways, a beautifully disguised self-help documentary. Sex therapist Sofia (played by Canadian radio star, Sook-Yin Lee) has frequent, athletic (yet frustratingly unfulfilling) intercourse with her boyfriend. Her seeming ina
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THE KID STAYS IN THE PICTURE (2002)
Certification15 Our Rating
A self-narrated and consequently potted history of the producer Robert Evans, a man who rose from nowhere and made possible some of the greatest movies of the 1970s. Not least of which being ‘The Godfather'. A prodigious mover and shaker, Evans' rarefied world went belly up when the scandals started to come thicker and faster than the successes. The kid stays in the picture is a fascinating insight into the world of the Hollywood power broker.
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