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Certification15 Our Rating

An all time classic 60s movie glamourising the real life story of the Barrow gang who terrorised the American South in the early 30s. 'Reclaiming the American gangster movie, after it had been stolen by the Nouvelle Vague, Penn's film was so successful (and so imitated) that it inevitably met with some grudging devaluation. But it's still great, half comic fairytale, half brutal fact, it reflects the essential ambiguity of its heroes by treading a no man's land suspended between reality and fant find out more...

Certification18 Our Rating

Irish Sicilian Henry Hill always wanted to be a gangster and from running errands as a small boy, he graduates to becoming a trusted member of the "family". A stunning, violent and essential portrait of the Mafia's intimate details. An award winning film, superbly crafted by Scorsese. find out more...

Certification18 Our Rating

Two London based Irish hitmen await orders in Ye Olde Bruges of picturesque canals, churches and towers in this clever tragicomedy. Ken does the tourist bit while Ray chases skirt and rues the accidental killing of a child on his first and last job. Then Ken gets the word, and it's not what he expected. Meanwhile back in Blighty their gangland boss, Harry, has problems with his anger, his language and keeping his honour. A dark unpredictable tale, original and savvy. find out more...

Certification18 Our Rating

Billy Custigan is a rookie cop, but his background in the city's underbelly makes him the perfect man to infiltrate the mob and bring down kingpin Frank Costello. Police officer Colin Sullivan is as straight as an arrow to most who know him, but he's Costello's main man within the police department. Each knows of the existence of the other, but neither knows his identity. This is a world where every piece of information gleaned carries with it the possibility of discovery and death and the relen find out more...

Certification18 Our Rating

Peckinpah completely rewrites John Ford's Western mythology by looking at the passing of the Old West from the point of view of marginalised outlaws rather than law-abiding settlers. While never ignoring their brutality he contrasts their code of loyalty with that of the corrupt railroad magnates. In purely cinematic terms, the film is a savagely beautiful spectacle, Lucien Ballard's superb cinematography complementing Peckinpah's darkly elegiac vision. find out more...