A psychotic American commander worried about the subversive effects of water fluoridisation on his "vital bodily fluids" starts off an attack on the Soviet Union. No-one can stop the fighters and no-one, as yet, knows about the failsafe Doomsday Machine. Brilliant black comedy.
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FAHRENHEIT 9/11 (2004)
Certification15 Our Rating
There's a lot you can say about Michael Moore. He's sentimental. He massages the truth to fit the points he's making. His reliance on comedy when making serious points sometimes defeats his objectives (more suited to his excellent TV Nation series). He is a propagandist. But in a world dominated by right-wing media conglomerates, neo-conservative thinktanks and war profiteers thirsty for new conflicts, you can easily forgive his mawkish foibles. Fahrenheit 9/11 is an excellent feature in it's co
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HEARTS AND MINDS (1974)
Certification15 Our Rating
This is a documentary about the conflicting attitudes of the opponents of the Vietnam war using archival footage as well as their own film and interviews. A key theme is how the attitudes of American racism and self-righteous militarism helped to create and prolong this bloody conflict. The film also endeavours to give voice to the Vietnamese people and makes clear their basic humanity. Winner of the Best Documentary Feature at the 1974 Academy Awards.
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I AM CUBA (1964)
CertificationU Our Rating
I Am Cuba is an epic poem to Communist kitsch - a dramatic journey though the decadence of Batista Havana set against the grinding poverty and oppression of the Cuban people.
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ROME OPEN CITY (1945)
CertificationPG Our Rating
Rossellini's masterpiece of neo-realist cinema. Based on the life of a priest who serves in the Resistance movement, it's triumph is to show the Resistance against a backdrop of everyday wartime life in Rome. The realism is enhanced by the camerawork and locations. A truly remarkable film.
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THE BATTLE OF ALGIERS (1966)
Certification15 Our Rating
A highly acclaimed and influential account of Algeria's turbulent past made in psuedo-documentary style. The tense plot surrounds the rise of nationalist organisations in '54 and the French government's attempts to quell them. This film was the prototype for most political thrillers of the 1970s.
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