Polanski has a go at the film noir detective thriller, very bleak, very twisted and very menacing it is to. Nicholson plays a private-eye in pre-war LA who is hired to pursue an adultery case, but finds himself embroiled in a complicated murder investigation. find out more...

Years of police work have taught Detective Finlay that where there's crime there's motive. However he finds no usual motive when investigating a man beaten to death, this man was killed because he was a Jew. "Hate", Finlay says, "is like a gun." A landmark film noir nominated for five Academy Awards, including Best Picture. Edward Dmytryk directs a taught stylish tale that, certainly for its time, dared to explore a topic rarely covered in Hollywood; anti-Semitism in the US. find out more...

After the subsequent murder of a scared running girl he picked up on the highway Mickey Spillane's anti-hero, dodgy private eye Mike Hammer, smells money and follows the threads on a seedy trip through the LA underworld. find out more...

A dark, intriguing thriller. The enigmatic Laura becomes an object of obsession to a hard-bitten journalist and is found dead shortly before her wedding. As the mystery deepens with every twist and turn, the detective on the case also falls under the spell of the tragic beauty. Classic film noir. find out more...

Acclaimed and imitated, this is Clouzot's classic tale of the sadistic head-teacher who brutalises his unfortunate wife. With the help of her husband's mal-treated mistress, a willing accomplice, the two women set out to exact revenge. But when his body goes astray this macabre story truly unfolds... find out more...

Returning home at the end of the war Johnny Morrison expects a warm welcome from his wife, but discovers that she's been unfaithful to him with dapper Eddie Harwood, the owner of the Blue Dahlia nightclub. After a heated and violent argument he storms out of their house and when, later the same night, she's murdered Johnny becomes the number one suspect. To clear himself, and unexpectedly aided and comforted by the estranged wife of the club's proprietor, he must find the real culprit. Will John find out more...

Burt Lancaster makes his debut, in this adaptation of a short story by Ernest Hemingway, as Swede, a washed-up boxer who finds himself manipulated and double crossed thanks to the charms of femme fatale Ava Gardner. A definitively noir gangster film about an unusual contract killing that stands out thanks to Lancaster's performance as the lovesick palooka taken for a ride.

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This is, along with Hawks' The Big Sleep, easily the most intelligent of all screen adaptations of Chandler's work. Altman in fact stays pretty close to the novel's basic narrative (though there are a couple of crucial changes), but where he comes up with something totally original is in his ironic updating of the story and characters: Gould's Marlowe is a laid-back, shambling slob who, despite his incessant claim that everything is 'OK with me,' actually harbours the same honourable ideals as C find out more...