An award winning film full of baroque splendour. The talented composer Antonio Salieri found himself in competition with Mozart, a genius, and he couldn't understand why God favored such a vulgar creature to be his instrument. Salieri turned into a hate-filled monster, whose aim in life became to ruin his colleague, but he emerges as a tragic and sympathetic character. He alone could appreciate the perfection of Mozart's music and, perhaps, he speaks up for all of us whose talents fall short of find out more...

In a move designed to subordinate the Catholic Church to the state, Henry II gave the office of the Archbishop of Canterbury to his close friend and ally Thomas Becket. With Becket now installed as his 'man on the inside' Henry could be forgiven for thinking that the church would more easily acquiesce to his bidding. Henry, however, had neither bargained on Becket's ecclesiastical fervour nor realized his zealous nature. Thus the stage was set for one of the greatest battles of supremacy between find out more...

An all time classic 60s movie glamourising the real life story of the Barrow gang who terrorised the American South in the early 30s. 'Reclaiming the American gangster movie, after it had been stolen by the Nouvelle Vague, Penn's film was so successful (and so imitated) that it inevitably met with some grudging devaluation. But it's still great, half comic fairytale, half brutal fact, it reflects the essential ambiguity of its heroes by treading a no man's land suspended between reality and fant find out more...

It's 1794 and Depardieu plays Danton the revolutionary, who returns to Paris from self-imposed exile confident in the peoples' support and that he can help bring peace to the revolutionary turmoil and stop The Terror. But first he must confront his former ally Robespierre, who is intent on victory and soon rounds up Danton and his followers, tries them before a revolutionary tribunal and dipatches them to the guillotine. Bye bye Danton. find out more...

A masterpiece of Soviet Socialist Realism. In 1547, Ivan IV (1530-1584), archduke of Moscow, crowns himself Tsar of Russia and sets about reclaiming lost Russian territory. In scenes of his coronation, his wedding to Anastasia, his campaign against the Tartars in Kazan, his illness when all think he will die, recovery, campaigns in the Baltic and Crimea, self-imposed exile in Alexandrov, and the petition of Muscovites that he return, his enemies among the boyars threaten his success. Chief among find out more...

Ivan takes on the boyars in a battle for power in the second part of Eisenstein's projected trilogy. This was not released till 1958 as Stalin sensed its critical nature, especially its depictation of the secret police. Eisenstein's untimely death robbed us of the chance to see the final part. A Classic. find out more...

This justifiably acclaimed epic tells the fascinating story of a well-heeled German Jewish family, Jettel, Walter and 5-year-old Regina, who fled the Nazis in the late 1930s and settled as farmers in Kenya. Here they, as German citizens, eventually face internment, separation, Walter joining the British army, and a detioration in their marriage. find out more...

A man deformed by a rare illness is taken up and patronised by fashionable London society - another freak show for the elephant man to be exhibited in. David Lynch's highly individual style here perfectly complements the film's material. A dark and brooding, yet sympathetic and sentimental film. find out more...