This tale of "murder, greed, lust, revenge and seafood" will need no introduction, suffice to say that this is John Cleese doing what he does best - inducing laughter! With the help of veteran director Crichton he has made a film which sparkles with slapstick, farce and wit. find out more...

Lester Burnham (Spacy - giving a sublime performance) is a middle-aged suburbanite lost in a world he doesn't recognise anymore. His job has become meaningless, his wife has turned into a bitch-on-wheels and his rebellious daughter hates his guts. For Lester his only source of enjoyment seems to be choking the chicken in the shower each morning. His lonely existence begins to change, however, when he meets his daughter's friend, Angela and what starts as wishful thinking rapidly ends up with Les find out more...

Charlotte has joined her new husband in Tokyo, but what she had hoped would be an adventure for them both finds her marooned and alone. Staying in the same hotel is Bob, a jaded film star in the city to do a whiskey commercial, and it is only when the sleepless pair meet in the hotel bar that their depressed isolation begins to lift. Lost in Translation is remarkably simple in its conception, two people who would seem to have nothing in common, but who form a bond of affection and unspoken under find out more...

One of the all-time classics, which surely needs no introduction. A beautifully paced and witty comedy, including Curtis's great parody of Cary Grant's playboy image, and one of the greatest lines of all time.... "Nobody's perfect" when Joe Brown discovers his fiancee is a man.

find out more...

Lemmon is an ambitious young corporate executive who finds promotion comes his way most easily by lending out his flat for his superiors to pursue their extra-marital affaires. It all gets too much when a jilted Maclaine attempts suicide in his flat and he has to take the blame. A comedy classic. Won Best Picture at 1960 Academy Awards.

find out more...

Burton and Taylor in a screen version of the kind of love-hate relationship which they were famous for in private, a kind of on-screen therapy. Taylor gives what is probably her finest performance as the blowsy harridan Martha, while Burton is not quite so hammy as usual as her angst-ridden college professor husband. The verbal fireworks that occur when they invite a young couple to dinner are surprisingly convincing. A must see classic. find out more...