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CertificationPG Our Rating

When Cary Grant discovers a corpse in the window seat of his quaint old maiden aunts, and realises thay are cold blooded murderers, the scene is set for all out farce. Add the appearence of his long lost brother with another victim to dispose of and you've a madcap, brilliant, comedy. find out more...

CertificationPG Our Rating

Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...


CertificationU Our Rating

The best film in the history of comic British cinema. A black tale of sex, adultery, murder and social class told with low key irony. Alec Guinness plays all the leading roles, and the delightfully witty and sardonic script is ideal for him. A landmark of British film. find out more...
M' (1931)

Certificationpg Our Rating

Lang's first sound film, and perhaps his most imaginative. The plot concerns the police search for a Berlin child-molester. The underworld is forced to look amongst its own for the perpetrator. Lang draws fascinating parallels between police and criminals in this radical masterpiece. find out more...

Certification18 Our Rating

Critically maligned on its release, this tale of a twisted lens-man who lures unsuspecting female victims to their grisly death is an interesting study in the voyeuristic implications of cinema. The killer is an eternal victim whose crimes are cries of rage against his father and stepmother and, at the same time, pathetic rehearsals for his own inevitable death. A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour. find out more...
PSYCHO (1960)

Certification15 Our Rating

Do you really need to be told about this film? The Bates' Motel, the shower sequence and, of course, Mother! THE Hitchcock movie! find out more...

CertificationU Our Rating

One of the first horror movies, about a hypnotist who uses a somnambulist to do his murders, and a landmark in the history of cinema. The dark shadows, crazy angles and doom laden atmosphere of German Expressionism and the film's extraordinary use of painted light have rarely been copied, and its influence, on film noir in particular, is indisputable. find out more...

Certification15 Our Rating

Director Weir started an illustrious career with this bizarre and apocalyptic tale of a small outback town that lures passing drivers, cannibalises their cars and uses the survivors for strange medical experiments by the town doc. Mad, witty, surreal..superb! find out more...

Certification18 Our Rating

When the desperate, obese Martha meets handsome Ray, who leeches off rich widows, she falls madly in love and teams up with him as he scours the lonely hearts clubs, but her jealousy is to lead to murder and betrayal. A bleak, unsentimental thriller loosely based on the real-life 'lonely hearts killers' Martha Beck and Ray Fernandez. find out more...

CertificationPG Our Rating

Hitchcock's third feature is basically a variation on the Jack the Ripper story adapted from a novel by Anne Belloc Lowndes. A serial killer is on the loose in London, singling out blonde haired chorus girls and, as the hunt for him hots up, a stranger turns up seeking lodgings at the Bunter family's house. Mysterious he certainly is, but is he the murderer? Menacingly effective camera work, but lighter in tone than his later thrillers. Especially interesting is the way the younger Hitchcock is find out more...