The classic musical romance about an ex-GI in Paris to do a spot of painting and falling in love. Containing the Gershwin numbers "I Got Rhythm", "Embraceable You", "Stairway To Paradise" and "Swonderful", and ending with the famous "American In Paris" ballet scene. Won Best Picture at 1950 Academy Awards. find out more...

Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...

A high school musical which ripped off everything it could from the 1950s. At the time it was slated, but, in retrospect, it started a trend and is nowhere near as bad as some of the movies which followed it. In fact, one could go as far as to say it's now a bit of a classic... find out more...

Shosho is a maid in a swanky night-spot when she's spotted dancing by the club's rakish proprietor, Valentine Wilbur. Soon Shosho has usurped Mabel as the star dancer and object of Valentine's affections, setting the scene for a dramatic denouement. A tenderly restored work, with a new musical score by Neil Brand, and a truly hypnotic early screen goddess in the form of Anna May Wong. find out more...

Just simply the best musical ever made. Witty, inventive, brilliant, wonderful and slightly surreal; it manages to parody Hollywood without ever quite descending into self-parody, always retaining its dignity (always dignity...) A must-watch every few years or so.

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A modern day, (well it was when it was made), version of Romeo and Julliet except this one includes dance routines and rumbles. Won Best Picture at 1961 Academy Awards. find out more...