A seminal piece of movie-making, a montage of Moscow life in 1929, using all sorts of new techniques, dissolves, split screens, slow motion and split screens. Vertov's exploration of the relationship between camera, actuality and history opened up issues that have been explored ever since by the likes of Godard in particular. This tape includes two versions of the film, the first with music from the Alloy Orchestra and the second with a commentary by leading cinema historian Yuri Tsivan. A radic find out more...

Critically maligned on its release, this tale of a twisted lens-man who lures unsuspecting female victims to their grisly death is an interesting study in the voyeuristic implications of cinema. The killer is an eternal victim whose crimes are cries of rage against his father and stepmother and, at the same time, pathetic rehearsals for his own inevitable death. A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour. find out more...