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Art House
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Biopic
Certification15
Our Rating
Nong Toom has become one of the very best at his particular discipline, the ancient martial art of Muay Thai, but unlike many of his fellow combatants, Nong is in search of more than just fame and fortune. In the perfection of his art Nong hopes to find the financial means by which he can redefine his very sexuality. Based on a true story, Beautiful Boxer is a bone crunching display of its art, though, perhaps, some of the emotional subtleties have been lost in between the stunningly choreograph
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Certification18
Our Rating
Robert Crumb, a nerd from a totally dysfunctional family, became, thru' Fritz the Cat, Mr Natural and Keep on Truckin' et al, the leading subversive cartoonist of the '60s underground generation. Here, through interviews with him, family, friends and critics, you can put together a portrait of his personality and be introduced to his work.
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CertificationPG
Our Rating
A beautiful and elegantly simple film about the life and works of Francesco Di Assisi, founder of a religious order that expressed Christianity in a form devoid of materialism but rich in compassion; a faith that the orthodox church, by the time of Francesco's birth in the late 12th century, had long dispensed with. Neorealistic in style and obviously close to Rossellini's heart, this is now acknowledged as one of his greatest masterpieces.
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Certification15
Our Rating
This is a striking stylised dramatisation of the young Beat Generation icon Allen Ginsberg, focusing particularly on the infamous 1957 obscenity trial of his seminal work ‘Howl’ during the tail end of McCarthyism. While the performances from all involved are excellent and the story an intriguing one it is the visual cool of this film that lingers longest.
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Certification15
Our Rating
Bobby Sands was the IRA member who led the 1981 Long Kesh hunger strike as part of a campaign to achieve the status of political prisoners and not that of criminals. The first section of film deals with daily prison life, the 'dirty' protest and the violence, the second is a long discussion on the meaning of life with a sympathetic priest and the third depicts the last weeks and death of a man voluntarily dying of starvation.
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Certification15
Our Rating
Far more a portrait than a biopic this stunning film dissects the later years of Giulio Andreotti, a key player in Italian politics from the 70s through till today (he still sits in the Italian Senate (2009)), implicating him as the central instigator behind 'The Strategy of Tension', a policy that involved the murders of hundreds of innocent people, and blaming 'the left/Red Brigades' so as to allow the growth of an authoritarian state. Sorrentino fingers Andreotti for many political assassinat
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CertificationPG
Our Rating
A masterpiece of Soviet Socialist Realism. In 1547, Ivan IV (1530-1584), archduke of Moscow, crowns himself Tsar of Russia and sets about reclaiming lost Russian territory. In scenes of his coronation, his wedding to Anastasia, his campaign against the Tartars in Kazan, his illness when all think he will die, recovery, campaigns in the Baltic and Crimea, self-imposed exile in Alexandrov, and the petition of Muscovites that he return, his enemies among the boyars threaten his success. Chief among
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CertificationPG
Our Rating
Ivan takes on the boyars in a battle for power in the second part of Eisenstein's projected trilogy. This was not released till 1958 as Stalin sensed its critical nature, especially its depictation of the secret police. Eisenstein's untimely death robbed us of the chance to see the final part. A Classic.
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Certification12
Our Rating
Forget that this is a Scorsese movie, 'cos there's not a gangster or a grifter in sight. Stunningly shot, this is the visually breathtaking account of the early life of the 14th Dalai Lama, starting with his discovery by Buddhist monks in the northern Tibet of 1935. Meticulously detailed but well-paced, it's a rich, riveting movie with a powerfully haunting soundtrack from Philip Glass.
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Certification15
Our Rating
Gus Van Sant's latest masterpiece is very much in a similar vein to his previous two films (Elephant and Gerry). Meditative, ambivalent and beautifully shot, Last Days is a loose retelling of the Kurt Cobain suicide. The dialogue is made up of mumbled non sequiturs and directionless enquiries. The cinematography, as in Elephant, is a mixture of pristine framing, expert use of natural light and patient static observation. Though the pace of the movie is arguably too testing for some viewers, the
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