Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

The last of the V8 interceptors takes to the road for the first time. Urban society is in terminal decay and the roads have become an arena for a strange death game between nomadic bikers and young cops in souped up pursuit cars. Less futuristic than the sequels but disturbingly bleak and violent. find out more...

Easily the best of the Mad Max trio. In an apocolyptic post-nuclear war future, where violent scavengers dominate society, our hardened existential hero finds himself forced to side with the remnants of civilization in their desperate battle for survival. find out more...

The second installment is easily the best of the Mad Max trio. Set in an apocolyptic post nuclear future were violent scavengers dominate society our hardened existential hero finds himself forced to side with the remnants of civilization in their desparate battle for survival. The less effective 3rd part also on this tape. find out more...

Taking its cue from Chronicle (2012), Project Almanac is part of the "found footage" sci-fi phenomenon sweeping contemporary teen cinema. A group of friends discover time travel and use it to have a lot of fun; rewriting their entry into the high school popularity charts, partying without wasting time, acing tests and getting even with bullies. But, as science would have it, every action has its equal and opposite reaction. Soon the 'jumps' become a desperate attempt to rewrite the rewrite. G find out more...