Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...

A screwed-up runaway teenage girl accepts a lift from a Mr Nice Guy, but soon realises he's a notorious serial killer. Having left him for dead she is soon arrested and facing a lifetime in prison, escapes, only to meet the killer again. A high quality, brutally comic, thriller with attitude. Very dark and very good.

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Ford plays a sexually ambiguous and misogynist drifter who gets adopted by a German casino owner in Buenos Aires only to get involved in a menage-a-trois with his wife. Never has the fear of the female been so intense as in this powerful piece of cinema. Hayworth is sizzling as the temptress.

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It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...

Two best friends leave their Arkansas town for a weekend break, but become fugitives before crossing the state line. As the police get closer the friends grow farther away from the women they were when they first left town. Their hair comes down as they take to the fugitive life but they grow ever out of control of their own situation. Wrongly hailed as an anti-man flick upon its original release, this feminist classic has become a landmark in the history of film. Davis and Sarandon were duall find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...