A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the second version re-edited by Ridley Scott; all the good bits remain, with the onl find out more...

Based on Philip K Dick's "Do Androids Dream Of Electric Sheep?" this is a stunning visual account of man's struggle for survival in the 21st Century, a time when robot life forms are beginning to surpass humans in not just intelligence but emotions, raising questions about our concepts of self. This is Ridley Scott's final version of this post-modern sci-fi classic; all the good bits remain, with the only differences being the lack of narration, the downbeat ending, and the blink-and-miss-it dre find out more...

A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the originally released version with no unicorns in a dream, a voiceover to keep y find out more...

'Baby Bogart' or 'Bugsy Malone The Sequel'? Young teens act out the roles of our classic noir favourites, Sam Spade et al, against a backdrop of a daylight open-spaced LA suburbia. The characters are there, the script is there, the critics loved it and you, the viewers, rave about it. Sorry, but I just can't buy young high school kids acting out these roles.....ergo the answer is 'Bugsy Malone The Sequel'...but please make your own mind up. find out more...

Stunning adaptation of James Ellroy's stylishly sinister 50s crime novel, cruelly robbed of its just desserts by a sinking ship at the Academy Awards farce. An awesomely authentic 1953 Los Angeles provides the backdrop, while the story focuses on a dodgy trio of LA's not-so-finest, united by mutual loathing, and all up to their necks in nefarious goings-on. Kim Basinger deservedly bagged the Best Supporting Actress Oscar for her sultry Veronica Lake lookalike hooker, but all the performances are find out more...

A superb modern thriller in the ultra-hardboiled Jim Thompson mould, in which a trio of criminals, wanted for a brutally murderous drugs heist, converge on a small, quiet Arkansas township where the local cop, treated with contempt by the LA officers in charge of the case, looks forward to a High Noon-style showdown. The asides on racial and sexual inequality are made subtly and succinctly; the performances and pacing are nigh perfect; the violence is explicit, disturbing but never gratuitous; a find out more...

A superb, stylish and tense noir thriller unlucky not to win any of its four Oscar nominations. Roy is a con-man in hospital having just been beaten up after a con backfired. This is where his con-artist mum catches up with him after eight years, and when she meets his girlfriend the tension erupts. find out more...

Outstanding thriller with the amazing Linda Fiorentino as a woman on the run from her husband with a suitcase full of his ill-gotten gains. When she meets small-town nice guy Mike he doesn't stand a chance. Superbly clever, a razor sharp script and the most evil screen bitch in movie history. find out more...