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Certification12 Our Rating

Michelle breaks up with her boyfriend and, in a panicked drive interstate, ends up unconcious in her vehicle by the side of the road. Thankfully, Howard was driving by and took her to his nearby home where he put her on a drip and nursed her back to health - well, sort of. When Michelle comes to she finds herself in his cellar, in a locked room, handcuffed to the wall. Howard says an alien apocalypse is taking place but Michelle isn't so sure. What follows is a tense find out more...

AGENCY (1980)

Certification15 Our Rating

A mysterious millionaire buys an ad agency and begins to replace its employees with his own people, who don't appear to be advertising types at all.

This story is pretty terrible but the subliminal message big reveal is really enjoyable. 

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CertificationPG Our Rating

A gutsy 30s gangster noir with two 'hood boys whose paths into adulthood are a complete contrast; Cagney becoming a violent gangster and O'Brien a priest. O'Brien has to fight the local kids' hero-worship of Cagney, and this leads to an emotional and ambiguous climax. Tense, dramatic, well-acted with sharp dialogue. Astounding. find out more...

CertificationPG Our Rating

Franz and Arthur team up with an innocent young girl, Odile, and decide to plan a heist, but as the trio cruise the bars and cafes of Paris hatching the perfect crime it becomes apparent, in their less than professional approach, that everything may not go as smoothly as at first hoped. The Outsiders is a tongue-in-cheek homage to early American pulp crime flicks, fast paced and free spirited, Godard's film retains much of its freshness and excitement. find out more...

CertificationPG Our Rating

Fritz Lang's last Hollywood film is a savage indictment of the complacency of American justice. A writer is obsessed with the idea that an entirely innocent man could be sent to the chair - and he sets out to prove his theory when a showgirl is mysteriously found dead. A classic.

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CertificationPG Our Rating

Brilliant noirish adaptation of Graham Greene's gritty novel with Attenborough superb as the psychopathic Pinky, a small time gangster and violent hood, who marries a witness to one of his crimes to keep her quiet. Disturbingly good. find out more...

Certification15 Our Rating

When a petty crook loses his switchblade on the underground the scene is set for an escalating catalogue of chaos, murder and mistaken identity. With a power-crazed policeman on the rampage and a mad killer on the loose, the body count rapidly begins to rise in this wickedly surreal comedy. find out more...

CertificationU Our Rating

Based on a true story, the film begins in 1932 with the killing of a Chicago cop and the sentencing of two young men for his murder. Fast-forward eleven years, and the boss of the Chicago Times newspaper is intrigued to find an advert by the mother of one of the killers, Frank Wiecek, asking for information about the crime, clearly Wiecek's mother thinks her son is innocent. PJ O'Neal (Stewart), one of the Times' top reporters, is dispatched to find out whether Mrs Wiecek's opinion is clouded by find out more...

Certification18 Our Rating

Polanski has a go at the film noir detective thriller, very bleak, very twisted and very menacing it is to. Nicholson plays a private-eye in pre-war LA who is hired to pursue an adultery case, but finds himself embroiled in a complicated murder investigation. find out more...

CertificationPG Our Rating

Years of police work have taught Detective Finlay that where there's crime there's motive. However he finds no usual motive when investigating a man beaten to death, this man was killed because he was a Jew. "Hate", Finlay says, "is like a gun." A landmark film noir nominated for five Academy Awards, including Best Picture. Edward Dmytryk directs a taught stylish tale that, certainly for its time, dared to explore a topic rarely covered in Hollywood; anti-Semitism in the US. find out more...