A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the second version re-edited by Ridley Scott; all the good bits remain, with the onl find out more...

A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the originally released version with no unicorns in a dream, a voiceover to keep y find out more...

Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...

Marv is a lunkhead of incredible strength, an aggressive power he puts to merciless use when his one true love is murdered. Hartigan is the embittered, but moralistic cop who's sworn to protect a stripper and Dwight is the lover of Shellie and the inadvertent dark angel of Gail's Old Town girls, a feisty group of hookers. These are just a selection of the random characters in Rodriguez's adaptation of Frank Miller's Sin City graphic novels and it's difficult to decide which of the two is the bi find out more...

A retired legal counsellor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior, both of which still haunt him decades later. The central performance by Ricardo Darin is a highlight of the film, counterbalancing its dark plot of catharsis and revenge with a beguiling warmth and humanity.
Winner of the 2010 Oscar for Best Foreign Film, beating stiff, and arguably superior, competition from Haneke’s ‘The White R find out more...