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Certification12 Our Rating

Michelle breaks up with her boyfriend and, in a panicked drive interstate, ends up unconcious in her vehicle by the side of the road. Thankfully, Howard was driving by and took her to his nearby home where he put her on a drip and nursed her back to health - well, sort of. When Michelle comes to she finds herself in his cellar, in a locked room, handcuffed to the wall. Howard says an alien apocalypse is taking place but Michelle isn't so sure. What follows is a tense find out more...

AGENCY (1980)

Certification15 Our Rating

A mysterious millionaire buys an ad agency and begins to replace its employees with his own people, who don't appear to be advertising types at all.

This story is pretty terrible but the subliminal message big reveal is really enjoyable. 

find out more...

Certification18 Our Rating

Let's be honest, you either love or hate cinema's infamous enfant terrible, Lars von Trier. Those of you who love him you will find ĎAntichrist' his most entertaining and beautifully orchestrated work to date. Layered, witty and wryly tongue-in-cheek at every turn, ĎAntichrist' is brutal, honest and intelligent in both its observation of human emotion and in its exploration of a life riddled with love, loss and psychosis. Those of you who hate him however (and for newcomers who aren't familiar w find out more...

Certification18 Our Rating

Argento's directorial debut, a tightly constructed thriller in which an American writer witnesses a knife attack and finds himself obsessed with tracking down a serial killer whose next victims could be himself and his lover. Ennio Morricone's soundtrack helps sustain the tension throughout. find out more...

Certification12 Our Rating

A trio of tales told portmanteau style with Boris Karloff as your host; find out more...

Certification15 Our Rating

A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the second version re-edited by Ridley Scott; all the good bits remain, with the onl find out more...

Certification15 Our Rating

Based on Philip K Dick's "Do Androids Dream Of Electric Sheep?" this is a stunning visual account of man's struggle for survival in the 21st Century, a time when robot life forms are beginning to surpass humans in not just intelligence but emotions, raising questions about our concepts of self. This is Ridley Scott's final version of this post-modern sci-fi classic; all the good bits remain, with the only differences being the lack of narration, the downbeat ending, and the blink-and-miss-it dre find out more...

Certification15 Our Rating

A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the originally released version with no unicorns in a dream, a voiceover to keep y find out more...

Certification15 Our Rating

A chance for fans of the Bladerunner experience (and aren't we all?) to see the first ever cut of Ridley Scott's dystopian masterpiece. This workprint represents the pre-theatrical release version that offers some alternative footage and includes the voice-over narration long absent from DVD and video. An interesting companion to the final, original and director's cuts. find out more...
BLOW-UP (1966)

Certification15 Our Rating

A succesful photograper in swinging sixties London leads an aimless existence. Then one day he apparently witnesses a murder in the park. A slow moving thriller, Antonioni's film is also a meditation on the relationship of film to reality and the relationship of the individual to society. find out more...