Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...
A strange, beautiful film. We watch mother and son as they go about their peculiar daily routine, and we see a dead child in the ocean. It's unnerving and, somehow, everything seems eerily sexual, too. Then we are invited to go underwater where we get a closer look at the strange story science and earth have to tell. There are only mothers and sons in this coastal town. There is routine and control - but who is in control and what happens if someone starts to ask que find out more...
Cobb is a skilled thief in the dangerous art of extraction: stealing valuable secrets from deep within the subconscious mind when at its most vulnerable, during sleep. However, one last job could prove a step too far as his team have to pull off an 'Inception'. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse; their task is not to steal an idea but to plant one.
Superior blockbuster fare that will delight some even after repeated viewing, whil
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A 'Leatherface' type murderer who wears other people's faces, kills at an all-night horror-thon at an old theatre put on by a bunch of film students. Maggie, the lead character, believes it's really Lanyard Gates, a crazed film maker who killed his family live on stage fifteen years ago. And now he's back to kill his daughter, Sara, who is believed to really be Maggie.
Superlative horror that blends great diy special effects, cinephilia and frights with aplomb. AN find out more...