Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...
Existing in a ravaged, dystopian future Douglas Quaid, a factory worker, wants to escape the banality of his world and decides to visit ‘Rekall’, a company that can make your fantasies seem reality; But all does not go to plan when Douglas discovers he really is a superspy and the future of humanity rests in his deeply confused hands find out more...