Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

A deeply disturbed serial killer ( I know most of them are pretty seriously bothered by something, but this guy is grade A) has been caught by the FBI, but he still has one victim tucked away and time is running out. Enter one beautiful therapist who is using a revolutionary computer program to enter the world and minds of her patients. Harnessing her skills she enters the murderer's thoughts and so begins a battle to discover the truth... and survive the journey. The Cell as a thriller is no ey find out more...