Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

Daleks in Manhattan; the Doctor and Martha confront a host of surviving Daleks from the Canary Wharf battle. What are those creatures in the sewers? Who is Solomon? And why are the Cult Of Skaro attempting to create a Dalek/Human hybrid...? find out more...

Chris reckons: "Holed up on the dark side of the moon since the end of WW2, developing huge spaceships and skin whitening potion, now the Nazis are set to try to take over the world..... again. A camp and moderately fun (if at times slightly racist) B-movie-esque romp warning against the real-life dangers of terraforming by fascists."

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The world as we know it (well the world as Biggles knew it perhaps) is under threat from an unstoppable robot army. There's only one man who can save us, Sky Captain, or Joe to those who know him. Together with feisty (read pesky) reporter Polly Perkins and super cool, super hard arse, Captain Franky Cook, Joe must find the source of this new menace and destroy it before it destroys the world. Sky Captain and the World of Tomorrow is a visual joy, a bit like Fritz Lang's Metropolis if he'd had a find out more...

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Thor is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his homeworld and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela.

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