Hiro is a something of a tech kid prodigy but, having just showcased the merits of micro bots, finds someone else has decided to use them for evil. With the help of an unlikely big white health robot called Baymax and a bunch of enjoyably quirky sidekicks, Hiro takes on the forces of evil in an effort to save the day. A fun film with some good gags, great robots and swell animation.

Gloria is a 'hot mess' who just can't get her s**t together. Kicked out by her boyfriend and without a dime to get by, she heads back to the small town she came from. Landing on one bad idea after another - she's an alcoholic and she gets a job in a bar - Gloria soon discovers that she is causing pain and destruction to lots of others, not just herself. A literal monster manifests and the result is somewhere between comedy and action. Unfortunately, watching it makes find out more...

Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...