This is going to split the audience down the centre. I think you will either love this or you really won't - these maybe very few in the middle. This is science fiction at its best, thought provoking, challenging about the nature of what it means to be 'human' and with some of the best visuals I have seen in many years, it is simply beautiful to watch. The music score echos Vangelis's original creating a simliar atmosphere to the original. Many will say it is slow and overlong and I get that find out more...
Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...