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Certification12 Our Rating

Scrooge is a miserly old businessman in 1840's London. One Christmas Eve he is visited by the ghost of Marley, his dead business partner. Marley foretells that Scrooge will be visited by three spirits, each of whom will attempt to show Scrooge the error of his ways. Will Scrooge reform his ways in time to celebrate Christmas?
Well-received version of an extremely familiar morality tale.

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CertificationU Our Rating

A respectable, sincere film of Robert Bolt's literate play, with Scofield as Sir Thomas More, endorsing the divine right of the Pope over and above his King, Henry VIII, who wishes to divorce Katherine Of Aragon and marry Anne Boleyn. Watch out for Orson Welles in a marvellous cameo as Cardinal Wolsey. The film won 6 Oscars. find out more...

Certification18 Our Rating

A carnival in Venice is the prelude to a series of erotic encounters that follow Giacomo Casanova through the cities of 18th Century Europe. With an air of funereal solemnity and elegance, this forsakes realism in favour of a stylised romantic pessimism which confronts impotence, failure, sexuality and exploitation as fully as Pasolini's Salò. Although teetering at times dangerously close to Ken Russell, the visual daring and pure imagination of every image leave it as an elegiac farewell to an find out more...

Certification15 Our Rating

A caustic and often funny romp set 24 BC during the reign of Augustus Caesar, Rome's first emperor, and ending in AD 54 with Nero on the throne. Claudius (Jacobi) is Tiberius Claudius Nero Germanicus, grandson of Mark Antony, who bears witness to the ruthless ambition, shocking debauchery and murderous intrigue of his remarkable family. For the most part he escapes their evil scheming by virtue of a stutter and limp that mark him as a fool. A remarkable, ground-breaking series, with towering per find out more...

Certification15 Our Rating

A caustic and often funny romp set 24 BC during the reign of Augustus Caesar, Rome's first emperor, and ends in AD 54 with Nero on the throne. Claudius (Jacobi) is Tiberius Claudius Nero Germanicus, grandson of Mark Antony, who bears witness to the ruthless ambition, shocking debauchery and murderous intrigue of his remarkable family. For the most part he escapes their evil scheming by virtue of a stutter and limp that mark him as a fool. A remarkable, ground-breaking series, with towering perfo find out more...

Certification15 Our Rating

A caustic and often funny romp set 24 BC during the reign of Augustus Caesar, Rome's first emperor, and ends in AD 54 with Nero on the throne. Claudius (Jacobi) is Tiberius Claudius Nero Germanicus, grandson of Mark Antony, who bears witness to the ruthless ambition, shocking debauchery and murderous intrigue of his remarkable family. For the most part he escapes their evil scheming by virtue of a stutter and limp that mark him as a fool. A remarkable, ground-breaking series, with towering perfo find out more...

Certification15 Our Rating

A caustic and often funny romp set 24 BC during the reign of Augustus Caesar, Rome's first emperor, and ends in AD 54 with Nero on the throne. Claudius (Jacobi) is Tiberius Claudius Nero Germanicus, grandson of Mark Antony, who bears witness to the ruthless ambition, shocking debauchery and murderous intrigue of his remarkable family. For the most part he escapes their evil scheming by virtue of a stutter and limp that mark him as a fool. A remarkable, ground-breaking series, with towering perfo find out more...

CertificationPG Our Rating

Epic, made for TV, serialisation of the life of Christ stretching to a bum-numbing six hours and featuring an impressively star-spangled cast. Aesthetically spectacular and emotionally gutsy enough to entertain even the most cynical of non-believers. Continued on 7813. find out more...

CertificationPG Our Rating

The third and fourth parts of Zeffirelli's epic life of Christ. find out more...

CertificationE Our Rating

A timely look at the playwright John Osborne who redefined British theatre in 1956 with 'Look Back In Anger'. Using previously lost material from his plays, 'The Entertainer', 'Luther', 'Inadmissable Evidence', 'Epitaph for George Dillon', 'A Patriot for Me', talking heads too numerous to mention, from the cream of British thespianism, and recollections of Osborne himself, this is a fascinating insight into a genuinely angry man and his defining body of work. find out more...