Scrooge is a miserly old businessman in 1840's London. One Christmas Eve he is visited by the ghost of Marley, his dead business partner. Marley foretells that Scrooge will be visited by three spirits, each of whom will attempt to show Scrooge the error of his ways. Will Scrooge reform his ways in time to celebrate Christmas?
Well-received version of an extremely familiar morality tale.

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The well known Edwardian romance set in Tuscany. A young English girl is torn between a romantic free-thinker and the stuffy suitor that social convention has in store for her. Deservedly, a much acclaimed movie.

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A fading Southern belle comes to stay with her sister on the seedy side of New Orleans. Tension erupts as her brutal brother-in-law forces to the surface her shabby pretensions and the neurosis which threatens her sanity. A totally absorbing tale with outstanding performances from the all-star cast. find out more...

Encounter of three social classes in England at the beginning of the century; the capitalists, the Wilcoxes, whose only god is money, consider themselves as aristocrats, the enlightened bourgeois Schlegels and the proletarian Basts. The Schlegel sisters' humanism will be torn apart as they try both to softly knock down the Wilcox's prejudices and to help the Basts. Essentially the same story as Room With A View, nobody marries beneath their station and class is everything, but with a distinct el find out more...

Adapted from the EM Forster story of cultural misunderstanding and imperialism during the period of the British Raj. Lean underestimates EM Forster's hatred of the British presence in India, but this is a magnificent award winning costume drama with stellar performances, particularly from Judy Davis as the hysteric Miss Quested, (was she or was she not raped in the Marabar caves by her Indian host?), and Lean's eye for scenery remains superb. find out more...

When Mr Dashwood dies, the bulk of his estate goes to his son by his first marriage, which leaves his second wife and three daughters (Elinor, Marianne, and Margaret) in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars, his family disapprove and separate them. And though Mrs Jennings tries to match the worthy (and rich find out more...

An entertaining version of the famous book, which, while being a good period drama and an interesting comparison of moral and sexual codes, fails to match the book's post-structuralist approach to genre melodrama or its hard look at Victorian sexuality. An excellent, if slightly flawed movie! find out more...

Three women, separated across the 20th century, held together by the trials of time, love and loss. The first, Virginia Woolf, is in the throes of her first defining novel, Mrs Dalloway, while the second is a 1950s housewife now reading Woolf's book, and drawn towards a momentous re-evaluation of her life. The most contemporary of the trio is Clarissa, a woman who to all intents and purposes is Mrs Dalloway, and it is the gradual intertwining of their stories that comprises much of the film's ch find out more...

Burton and Taylor in a screen version of the kind of love-hate relationship which they were famous for in private, a kind of on-screen therapy. Taylor gives what is probably her finest performance as the blowsy harridan Martha, while Burton is not quite so hammy as usual as her angst-ridden college professor husband. The verbal fireworks that occur when they invite a young couple to dinner are surprisingly convincing. A must see classic. find out more...