Episode 17: Cutbacks. Liz is willing to do anything to avoid cutbacks at T.G.S., while Jack is forced to fire his personal assistant and hire Kenneth as his part-time assistant.
Episode 18: Jackie Jormp-Jomp. Jack tries to turn an accidental obituary for Jenna into a marketing opportunity for her Janis Joplin-based biopic. Meanwhile Liz makes friends with a group of single women while away from work for sexual harassment.
Episode 19: The Ones. Jack has second thoughts about marrying find out more...

Liz Lemon, (Tina Fey) is the head writer on a variety series on NBC Studios. With the Jack Donaghy as Vice President of East Coast Television, played by Alec Baldwin, Series four sustains the same standard that has maintained it so far with plenty of exceptional moments. The characters are still all hugely dysfunctional and written with enormous affection and comic effect. The situations beautifully constructed. This set contains all the episodes from the show’s fourth series.

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At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...

Another in a string of interconnected characters/plot flicks that have been coming from the Art House genre, this one is actually quite good. To try and explain the plot would be futile and too revelatory but I will say that our cast of characters includes a committed gay boyfriend played wonderfully by Steve Coogan(!), a singer-seductress scene stealer part from Maggie Gyllenhaal and a very sweet, cash-for-brains father played by Tom Arnold. As well as Lisa Kudrow who serves a hub of sorts for find out more...

A 'Leatherface' type murderer who wears other people's faces, kills at an all-night horror-thon at an old theatre put on by a bunch of film students. Maggie, the lead character, believes it's really Lanyard Gates, a crazed film maker who killed his family live on stage fifteen years ago. And now he's back to kill his daughter, Sara, who is believed to really be Maggie. 

 

Superlative horror that blends great diy special effects, cinephilia and frights with aplomb. AN find out more...

If you thought Hedwig and the Angry Inch was a film unlike any other you'd seen before, get ready for Shortbus: a frank and fun film about the sex lives of humans, ostensibly set in New York, but relevant to every one of us. The plot plays a supporting role in what is, in many ways, a beautifully disguised self-help documentary. Sex therapist Sofia (played by Canadian radio star, Sook-Yin Lee) has frequent, athletic (yet frustratingly unfulfilling) intercourse with her boyfriend. Her seeming ina find out more...

Beryl Reid plays Sister George, an ageing soap star, who loses her part in a long-running series, then loses her lover Alice. George's composure vanishes as her previously ordered life begins to crumble around her. A moving and powerful story given real weight by Reid's energetic performance. find out more...

Long the bane of American filmmakers the Motion Picture Association of America, the body that rates film content, is the target of this spot-on investigative documentary. The big questions raised are: 1) WHO are the anonymous 'raters', the so-called arbitors of American morality, and 2) why is there a distinct difference between how studio films are censored and how indie flicks are? Through interviews with indie directors such as John Waters, Kimberly Pierce, Atom Egoyan and Kevin Smith, we get find out more...

This a mockumentary about a young filmmaker's search for information about the Watermelon Woman, an undocumented 1930s black film actress forever cast as a 'black mammy'. Set in Pennsylvania, the tale follows director/video store clerk Cheryl through arguments with her co-producer, make out sessions with her new flame, as well as run-ins with staff at the Center for Lesbian Information and Technology (CLIT). A moving film about race and sexuality that gives a large nod to the lesbian filmmakers find out more...