Brilliant noirish adaptation of Graham Greene's gritty novel with Attenborough superb as the psychopathic Pinky, a small time gangster and violent hood, who marries a witness to one of his crimes to keep her quiet. Disturbingly good. find out more...

The original and best version of the detective thriller classic. Philip Marlowe is hired to investigate the gambling debts of a rich man's daughter, but is plunged into a twilight world of intrigue, blackmail and violence. Stylish and gripping. find out more...

A superbly crafted melodrama, even if it never manages to top the moody montage with which it opens - moon scudding behind clouds, rubber dripping from a tree, coolies dozing in the compound, a startled cockatoo - as a shot rings out, a man staggers out onto the verandah, and Davis follows to empty her gun grimly into his body. The contrivance evident in Maugham's play during the investigation and trial that follow is kept firmly at bay by Wyler's technical expertise and terrific performances, n find out more...

This is, along with Hawks' The Big Sleep, easily the most intelligent of all screen adaptations of Chandler's work. Altman in fact stays pretty close to the novel's basic narrative (though there are a couple of crucial changes), but where he comes up with something totally original is in his ironic updating of the story and characters: Gould's Marlowe is a laid-back, shambling slob who, despite his incessant claim that everything is 'OK with me,' actually harbours the same honourable ideals as C find out more...

The Graham Greene story of black-marketeer Harry Lime, who "dies" and then apparently comes back to life. A totally compelling thriller, set against a backdrop of shattered post-war Vienna and haunted by an evocative zither score. find out more...