The greatest movie ever made? A soldier is sent into the Heart of Darkness to retrieve a commander gone AWOL in an insane reality of tin-pot power, paranoia and inglorious killing. The horror of war is stripped naked in a surreal twilight world. The crew nearly went mad making it, Martin Sheen suffered a heart attack and Coppola flew so far beyond budget that the word 'bankrupt' was nearly redefined. See "Heart of Darkness"... find out more...

The definitive 'Apocalypse Now' (as if the original wasn't pretty definitive) this has nearly an hour of extra footage fleshing out the surreal journey of our central protagonists and, though it brings the film to a whisker short of three and a half hours, much of it explains what happens to the eclectic characters we meet. The cut version of 'Apocalypse Now' stands as one of the most awesome films of modern cinema, anyone who has seen it will inevitably see it again, it's just that now you have find out more...

A psychotic American commander worried about the subversive effects of water fluoridisation on his "vital bodily fluids" starts off an attack on the Soviet Union. No-one can stop the fighters and no-one, as yet, knows about the failsafe Doomsday Machine. Brilliant black comedy. find out more...

Ran, Kurosawa's last great epic, is a Jidaigeki (Japanese period drama) depicting the fall of Hidetora Ichimonj, an ageing Sengoku-era warlord who abdicates as ruler in favor of his three sons. His kingdom slowly disintegrates as the sons struggle for power, murdering rivals and laying waste to the land, and Hidetora goes insane after watching his retainers slaughtered in an epic massacre, the centrepiece of the film. As the kingdom crumbles and rival warlords move in for the kill, the Ichimonji find out more...

A chronicle of the movements of a squad, from the US 1st Infantry Division, through WWII, from a beach-head assault in North Africa to the liberation of a concentration camp in Czechoslovakia. The sergeant, played by Marvin, and four young riflemen are the only ones to survive the war, and one (Carradine) is Fuller's surrogate, and this is Fuller telling his own story, synthesising every thought he ever had about the experience of warfare, no heroics, no anti-heroics, no 'drama' to speak of, ins find out more...