With its radical rewriting of a genre in which good had always triumphed over evil, Romero's first feature shattered the conventions of horror and paved the way for the subversive visions of directors like David Cronenberg, Tobe Hooper and Sam Raimi. The film's opening scene immediately signals its own subversiveness. In broad daylight, a brother and sister visit their father's grave, a tall man lumbers toward them, Johnny tries to frighten Barbara with a daft Boris Karloff impersonation, but su find out more...