Michelle breaks up with her boyfriend and, in a panicked drive interstate, ends up unconcious in her vehicle by the side of the road. Thankfully, Howard was driving by and took her to his nearby home where he put her on a drip and nursed her back to health - well, sort of. When Michelle comes to she finds herself in his cellar, in a locked room, handcuffed to the wall. Howard says an alien apocalypse is taking place but Michelle isn't so sure. What follows is a tense find out more...

Much imitated but never equalled, this is the definitive space nightmare. The crew of a commercial spacecraft are stalked by a stowaway, mutating monster of veracious appetite. Weaver puts in a splendidly believable performance as the resourceful Ripley. Taut script and awesome special FX. find out more...

Down in the tube station at midnight… Kate falls asleep while waiting for the last train and awakens to find the station deserted and locked up for the night. To cap it all off, Kate has been followed by a sleazy lothario whose atavistic advances she had spurned at a party earlier in the evening. Things look bleak when it becomes clear that not only is her suitor a proponent of the ‘no means yes' school of female psychology but there is something else lurking about in subterranean London, someth find out more...

Kevin Smith had a podcast where they made a joke about the idea of kidnapping and turning a human into a walrus. It went viral on the twittersphere. Then it became a movie. This movie. Though the whole thing starts out well, with decent doses of good humour and dramatic tension, it all falls very quickly by the wayside. The result is a ridiculous prosthetic walrus suit that envelops Justin Long. Somewhere inside this mess of a movie there's a punchline, if only Smith could get to it without q find out more...