Michelle breaks up with her boyfriend and, in a panicked drive interstate, ends up unconcious in her vehicle by the side of the road. Thankfully, Howard was driving by and took her to his nearby home where he put her on a drip and nursed her back to health - well, sort of. When Michelle comes to she finds herself in his cellar, in a locked room, handcuffed to the wall. Howard says an alien apocalypse is taking place but Michelle isn't so sure. What follows is a tense find out more...

Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...

Initially directed by Paul Schrader and dumped by the studio execs for being too subtle, Renny Harlin was brought on board to completely redesign and reshoot the tale of Father Merrin's first encounter with Pazuzu. Deepest darkest Africa, 1949; Merrin is part of an archaeological dig that unearths an unholy site dedicated to an ancient evil, an evil that soon pervades the local community forcing Father Merrin to face his own loss of faith as he fights to save those around him. Stellan Skarsgard find out more...

April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened Army sergeant named Wardaddy commands a Sherman tank and his five-man crew on a deadly mission behind enemy lines. Outnumbered, out-gunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their attempts to strike at the heart of Nazi Germany.

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This is Hannibal's beginning, the reason why he became what he is, a brilliant young man traumatised by a personal tragedy at the hands of the Nazis and consumed by revenge. Slick, bloody and pretty daft what really lets Hannibal Rising down is that it's pretty dull, some savage editing and snipping half an hour off the running time would have helped a lot, it still wouldn't have been good, but it might have been considerably more fun. find out more...

Guillermo Del Toro's blockbusting tale of a young girl struggling to make sense of the violent world around her was a big 2006 arthouse hit. Continuing his exploration of the impact of the Spanish Civil War on his generation (it was also the backdrop for his excellent ghost story, The Devil's Backbone) Del Toro's fantasy mixes strong horror with fairytale-style aesthetics to great effect, making Ofelia's escape into an imaginary realm a poignant response to the cruel realities of her existence. find out more...

It's the end of WW2 and highly strung Grace and her two photosensitive children are awaiting the return of her husband. Grace lives an isolated and twilght existence but after the arrival of three uninvited servants she becomes convinced that the house is haunted by malevolent spirits. The Others is a stylish, spooky, highly intelligent ghost story that builds up the tension without having to resort to blood and guts.

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Kevin Smith had a podcast where they made a joke about the idea of kidnapping and turning a human into a walrus. It went viral on the twittersphere. Then it became a movie. This movie. Though the whole thing starts out well, with decent doses of good humour and dramatic tension, it all falls very quickly by the wayside. The result is a ridiculous prosthetic walrus suit that envelops Justin Long. Somewhere inside this mess of a movie there's a punchline, if only Smith could get to it without q find out more...