Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

A strange, beautiful film. We watch mother and son as they go about their peculiar daily routine, and we see a dead child in the ocean. It's unnerving and, somehow, everything seems eerily sexual, too. Then we are invited to go underwater where we get a closer look at the strange story science and earth have to tell. There are only mothers and sons in this coastal town. There is routine and control - but who is in control and what happens if someone starts to ask que find out more...

Scott Donaldson says: "A team of scientists have come upon something extraordinary in the Arctic. They’ve found something under the ice, and it wants out. Quickly plunged into the depths of paranoia and distrust, they must find a way to work together if they are to stay alive, even if it does mean pointing flamethrowers at each other most of the time. While this was never goin find out more...

A young man is left for dead when a patrol officer happens upon him. Rushing to the nearby hospital things take a turn for the worse as every sub-genre of horror collides in this monster/slasher/detective/supernatural/cult-style schlock fest. The tension is good but it looses its bite when the twist turns out to be almost everything you can think of. More throw it at the w find out more...